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•Toque: A Doctoral Hiatus (2/28)
•Articles: Listening for Compás (2/22)
•Toque: Flamenco Metronome (.com!) (2/15)
•Articles: Flamenco Rasgueado (2/9)
•Video: Flamenco: A Personal Journey (2/4)
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Recent Articles
•Practice Tips for Beginners
•Free Tab on the Internet
•Alegrias Accompaniment
•Foot Tapping for Bulerías
•Returning to A [book review]
•Palmas in Brief
•Sevillanas Accompaniment
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•Bulerías falseta
•Tangos falseta
•Sevillana (E min)
•Alegrias por Baile
•Almoraima (bulerías)
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•Alegrías
(120 bpm)
•Alegrías
(144 bpm)
•Bulerías
(180 bpm)
•Bulerías
(200 bpm)
•Rumba
(180 bpm)
•Rumba
(200 bpm)
•Sevillanas
(120 bpm)
•Sevillanas
(135 bpm)
•Siguiriya
(144 bpm)
•Soleá
(90 bpm)
•Tangos
(120 bpm)
•Tangos
(144 bpm)
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Sevillanas [135 bpm]
Sevillanas [135 bpm] The tempo in this metronome is about the speed at which many dancers comfortably perform. Solo work may go faster (cf. Paco de Lucia)--or slower (cf. some excellent Sevillanas playing by Pedro Soler)--but this is a good target speed for accompaniement. This metronome, as with the Sevillanas metronome at 120 BPM, will help you get a feel for Sevillanas's particular rhythm and song structure. For more information on structure and for more detail on Sevillanas as dance accompaniment, see the RF article "Dance Accompaniment: Sevillanas."
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